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It’s the contrast of the serious and the funny that lifts ‘Blue Slide Park’ from the tedious American Pie humour for which Mac Miller is often criticised, and the album as a whole saunters and bounces along. Or the ‘did he just say that?’ line on ‘Of The Soul’, one of the prettiest songs on the album, where fused with a lulling piano line, we hear his delightful take on oral sex: “ Put it in her mouth/Orthodontist”. Take his upfront reference to his Jewish heritage in ‘PA Nights’: “ We just tryna work so we can blow up like a Molotov/Thinkin’ bout my people who was murdered in the Holocaust”. Alongside this, his ability to disorientate the listener is admirable, as he tackles important and playful subjects. There are a few questionable deviations along the way – namely ‘Up All Night’ which sounds like a bad Ramones cover – but generally the production is so good you rarely notice Miller’s exhausting overuse of the words “ dope” and “ ill”. Mac Miller’s image is one so closely tied to the idea of being a regular, fun loving, kid. He raps lazily to laidback hooks, then attacks the bassier, sped-up moments with cocky wordplay. It’s layered with interesting sonic textures throughout, be they jolting injections of electronica or stoned-sounding, warped beats that lay the foundation for Miller’s drawl.
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Negatives aside, ‘Blue Slide Park’ is full of surprises, mostly in the production (helmed in the main by ID Labs, but also by A$AP Rocky favourite Clams Casino on ‘One Last Thing’). Blue Slide Park Music, B Max Entertainment Publishing, EMI Blackwood Music & Sony/ATV Ballad. His choice of cultural references – “ Donkey Kong”, “ Scott Pilgrim”, “ hashtags” and the like – hint at horizons that have remained so far unbroadened, as does ‘Party On 5th Ave’, which includes the obligatory anthemic ‘fun’ sample from Marva Whitney’s ‘Unwind Yourself’. From start to finish, it’s an engaging look into the mind of Mac Miller. The successor to Blue Slide Park, it was the moment he stepped up his game lyrically and captured a bran d-new aesthetic. The album’s second weakness is Miller’s ‘frat rap’, a style that occasionally rears its ugly, snapback cap-adorned head. Watching Movies W ith T he Sound Off, released in 2013, is Mac Miller’s best. Strangely this running theme forms one of the album’s weaknesses, as he labours the suggestion that he’s entering a new phase of life, a point clunkily illustrated on ‘Loitering’: “ I’m too old to be chilling at the playground”. It’s unsurprising, therefore, that ‘Blue Slide Park’ (named after a favourite childhood hangout of Miller’s in Pittsburgh) is undercut with reflections on where Mac’s been. He’s come a long way since he released ‘But My Mackin’ Ain’t Easy’ at just 16 years old.
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Then he was featured as part of a wet dream of hip-hop hopefuls alongside Yelawolf and Lil B on hip-hop magazine XXL’s Freshman list of 2011, certifying him as a baby-faced one to watch. He’s released one album and seven mixtapes since 2007. Mac Miller promises to continue to showcase his rise in the music industry to superstardom with the release of his debut BLUE SLIDE PARK.In hip-hop years, 20-year-old Malcolm ‘Mac Miller’ McCormick is practically old school. a multitalented musician who can play numerous instruments and a young novice of the freestyle/cipher/battle circuit of his hometown, Mac has been paving his way to superstardom in his blue-collar hometown for years. a recent graduate of Taylor Allderdice High School, Mac caught the eyes and ears of Rostrum Records, inking a deal in July 2010. Mac Miller is beloved in his home city of Pittsburgh, immortalized by his timeless music and memorial in his 2011 debut album’s namesake, Blue Slide Park. Mac is mystified at that number, considering that his previous effort, 2011’s Blue Slide Park, sold 145,000 copies in its first week and was the first independent album to debut at the top of. In a blossoming hip-hop hotbed of talent, Malcolm "Mac Miller" McCormick is next up out of Pittsburgh, PA.
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